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Always experimenting…
Always experimenting…
6 days ago
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1/9
Working elsewhere
Working elsewhere
3 weeks ago
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2/9
One Month Later
Earlier this year, I completed 100 Days of Noticing — a daily studio practice of creating one 6x6” work on paper each morning for one hundred consecutive days.

Working this way changed the rhythm of my studio practice, sharpened my attention, and allowed ideas to evolve slowly through repetition and response.

One month later, I’m revisiting the full body of work with fresh eyes.
One Month Later Earlier this year, I completed 100 Days of Noticing — a daily studio practice of creating one 6x6” work on paper each morning for one hundred consecutive days. Working this way changed the rhythm of my studio practice, sharpened my attention, and allowed ideas to evolve slowly through repetition and response. One month later, I’m revisiting the full body of work with fresh eyes.
1 month ago
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One year ago today, Familiar Elements: Visible and Invisible opened at Frederick Holmes and Company Gallery in Seattle, WA.

That night stays with me—the work installed throughout the gallery, the conversations, the sense of it all coming together. I was fortunate to share the exhibition with my friend, colleague, and fellow FH&CO artist, Elise Wagner, and to have been represented by the gallery for 12 years.

By the end of 2025, Fred Holmes retired and closed the gallery after 12½ years of directing this celebrated gallery presenting thoughtfully curated exhibitions alongside live jazz performances in Seattle’s Pioneer Square.

Thank you Fred  for your steady vision, your generosity, and for creating something that supported so many artists over the years. Wishing you a beautiful next chapter.
One year ago today, Familiar Elements: Visible and Invisible opened at Frederick Holmes and Company Gallery in Seattle, WA. That night stays with me—the work installed throughout the gallery, the conversations, the sense of it all coming together. I was fortunate to share the exhibition with my friend, colleague, and fellow FH&CO artist, Elise Wagner, and to have been represented by the gallery for 12 years. By the end of 2025, Fred Holmes retired and closed the gallery after 12½ years of directing this celebrated gallery presenting thoughtfully curated exhibitions alongside live jazz performances in Seattle’s Pioneer Square. Thank you Fred for your steady vision, your generosity, and for creating something that supported so many artists over the years. Wishing you a beautiful next chapter.
2 months ago
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4/9
Day 100
100 Days of Noticing

One hundred days. One small work each morning.

What began as a simple daily practice became a way to slow down, pay closer attention, and let the work evolve.

Today’s work feels quiet and minimal, a natural place to land after one hundred days of looking, noticing, and making.
Day 100 100 Days of Noticing One hundred days. One small work each morning. What began as a simple daily practice became a way to slow down, pay closer attention, and let the work evolve. Today’s work feels quiet and minimal, a natural place to land after one hundred days of looking, noticing, and making.
2 months ago
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5/9
Day 99 
100 Days of Noticing
Day 99 100 Days of Noticing
2 months ago
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100 Days of Noticing | Day 98 + Day 18

Same threshold.
Different moment.

A return.
A shift.
Time, quietly passing.
100 Days of Noticing | Day 98 + Day 18 Same threshold. Different moment. A return. A shift. Time, quietly passing.
3 months ago
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Day 97
100 Days of Noticing 
Amid creative clutter
Day 97 100 Days of Noticing Amid creative clutter
3 months ago
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Day 96
100 Days of Noticing
Day 96 100 Days of Noticing
3 months ago
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