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Flat File Friday
Back in the flat files this week, I’m sharing two mixed media works: ‘After Eden’ and ‘Paradise, Nearby’.

Each is composed of intricate layers of pigmented beeswax, photographs, and abstract drawings.
Image: 10 × 8 in.
Presented on: 15 × 11 in. 300 lb archival paper.

Thank you for joining me for another Flat File Friday. 
If one of these works speaks to you, feel free to send me a message for additional images or information.
Flat File Friday Back in the flat files this week, I’m sharing two mixed media works: ‘After Eden’ and ‘Paradise, Nearby’. Each is composed of intricate layers of pigmented beeswax, photographs, and abstract drawings. Image: 10 × 8 in.
Presented on: 15 × 11 in. 300 lb archival paper. Thank you for joining me for another Flat File Friday. If one of these works speaks to you, feel free to send me a message for additional images or information.
4 days ago
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1/9
Today’s View
Today’s View
6 days ago
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2/9
On the studio wall today.
From my 100 Days of Noticing series, mounted and available soon.
On the studio wall today. From my 100 Days of Noticing series, mounted and available soon.
7 days ago
View on Instagram |
3/9
Flat File Friday
Opening another drawer from my flat files to share with you.

Each of these 4x4” collages features various combinations of beloved bits and pieces salvaged from my large mixed media portraits, both my photos and vintage photos, antique Japanese book pages, vintage paper, graphite, and beeswax on Kozo. 

Featured this Friday
* Harmony
* Echo
* Antiquities
Each work is a 4 × 4 in. mixed media collage mounted on 9 × 8 in. 350 lb archival paper.
Flat File Friday Opening another drawer from my flat files to share with you. Each of these 4x4” collages features various combinations of beloved bits and pieces salvaged from my large mixed media portraits, both my photos and vintage photos, antique Japanese book pages, vintage paper, graphite, and beeswax on Kozo. Featured this Friday * Harmony * Echo * Antiquities Each work is a 4 × 4 in. mixed media collage mounted on 9 × 8 in. 350 lb archival paper.
2 weeks ago
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4/9
☀️My latest studio newsletter drops tomorrow.

If you’d like first access to new work, studio updates, exhibitions, and an occasional peek behind the scenes, there’s still time to join.

DM “studio” or use the link in my bio to subscribe.
☀️My latest studio newsletter drops tomorrow. If you’d like first access to new work, studio updates, exhibitions, and an occasional peek behind the scenes, there’s still time to join. DM “studio” or use the link in my bio to subscribe.
2 weeks ago
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5/9
🌴 Flat File Friday is back.

Today I’m sharing three Collected Fragments,  intimate mixed media works created from reclaimed and reimagined vintage photographs, my own photographs, vintage and antique papers, graphite, pigmented beeswax monotypes on Kozo. Each piece gathers these fragments into a quiet narrative that suggests a story just beyond reach.

Every Friday I’ll open the flat files and share with you the works that call to me that week.

Each original mixed media work measures 5 × 7 inches and is mounted on 11 × 14 inch acid-free paper.
🌴 Flat File Friday is back. Today I’m sharing three Collected Fragments, intimate mixed media works created from reclaimed and reimagined vintage photographs, my own photographs, vintage and antique papers, graphite, pigmented beeswax monotypes on Kozo. Each piece gathers these fragments into a quiet narrative that suggests a story just beyond reach. Every Friday I’ll open the flat files and share with you the works that call to me that week. Each original mixed media work measures 5 × 7 inches and is mounted on 11 × 14 inch acid-free paper.
3 weeks ago
View on Instagram |
6/9
👀 You asked… and I listened.

FLAT FILE FRIDAY is BACK! 🎉

A huge THANK YOU to everyone who’s reached out asking me to bring it back. It means so much to know these works have stayed on your mind.

Tomorrow morning, I’ll be opening my flat file drawers and sharing a special collection of original works on paper—available to purchase for a limited time.

Once they’re gone, they’re gone.

📌 Set your reminder and check back tomorrow. You won’t want to miss what’s inside!
👀 You asked… and I listened. FLAT FILE FRIDAY is BACK! 🎉 A huge THANK YOU to everyone who’s reached out asking me to bring it back. It means so much to know these works have stayed on your mind. Tomorrow morning, I’ll be opening my flat file drawers and sharing a special collection of original works on paper—available to purchase for a limited time. Once they’re gone, they’re gone. 📌 Set your reminder and check back tomorrow. You won’t want to miss what’s inside!
3 weeks ago
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7/9
Happy 4th!

During my summers growing up on Cape Cod, MA, we explored the coast of the mainland and the islands on my dad’s boat. Martha’s Vineyard was always my favorite place to drop anchor for a few days. As nod to a magical place, here are The Last Maiden’s of Tashmoo. 

The Last Maidens of Tashmoo
40x24”
Photo and pigmented beeswax combines on Kozo and wood panel.
.
Happy 4th!

During my summers growing up on Cape Cod, MA, we explored the coast of the mainland and the islands on my dad’s boat. Martha’s Vineyard was always my favorite place to drop anchor for a few days. As nod to a magical place, here are The Last Maiden’s of Tashmoo. 

The Last Maidens of Tashmoo
40x24”
Photo and pigmented beeswax combines on Kozo and wood panel.
.
Happy 4th! During my summers growing up on Cape Cod, MA, we explored the coast of the mainland and the islands on my dad’s boat. Martha’s Vineyard was always my favorite place to drop anchor for a few days. As nod to a magical place, here are The Last Maiden’s of Tashmoo. The Last Maidens of Tashmoo 40x24” Photo and pigmented beeswax combines on Kozo and wood panel. .
1 month ago
View on Instagram |
8/9
On the studio worktable today… a group of three works rich in pattern and personality with a slightly abstract quality.

When creating a composite photographic image that combines vintage photographs with my photographs and patterns, I often make multiple prints before arriving at the final version. Rather than discarding the extras, I save the fragments and later give them a second life in collage.

These two new 11×14” collages, together with a piece completed a few years ago, now complete this group of three works. Combining photographic fragments and pigmented beeswax monotypes, they bring together layers of imagery that have evolved over time.
The last image in the carousel shows the piece that started it all, photographed in its frame and displayed on a table easel.

📌All available through my studio.
On the studio worktable today… a group of three works rich in pattern and personality with a slightly abstract quality.

When creating a composite photographic image that combines vintage photographs with my photographs and patterns, I often make multiple prints before arriving at the final version. Rather than discarding the extras, I save the fragments and later give them a second life in collage.

These two new 11×14” collages, together with a piece completed a few years ago, now complete this group of three works. Combining photographic fragments and pigmented beeswax monotypes, they bring together layers of imagery that have evolved over time.
The last image in the carousel shows the piece that started it all, photographed in its frame and displayed on a table easel.

📌All available through my studio.
On the studio worktable today… a group of three works rich in pattern and personality with a slightly abstract quality.

When creating a composite photographic image that combines vintage photographs with my photographs and patterns, I often make multiple prints before arriving at the final version. Rather than discarding the extras, I save the fragments and later give them a second life in collage.

These two new 11×14” collages, together with a piece completed a few years ago, now complete this group of three works. Combining photographic fragments and pigmented beeswax monotypes, they bring together layers of imagery that have evolved over time.
The last image in the carousel shows the piece that started it all, photographed in its frame and displayed on a table easel.

📌All available through my studio.
On the studio worktable today… a group of three works rich in pattern and personality with a slightly abstract quality.

When creating a composite photographic image that combines vintage photographs with my photographs and patterns, I often make multiple prints before arriving at the final version. Rather than discarding the extras, I save the fragments and later give them a second life in collage.

These two new 11×14” collages, together with a piece completed a few years ago, now complete this group of three works. Combining photographic fragments and pigmented beeswax monotypes, they bring together layers of imagery that have evolved over time.
The last image in the carousel shows the piece that started it all, photographed in its frame and displayed on a table easel.

📌All available through my studio.
On the studio worktable today… a group of three works rich in pattern and personality with a slightly abstract quality. When creating a composite photographic image that combines vintage photographs with my photographs and patterns, I often make multiple prints before arriving at the final version. Rather than discarding the extras, I save the fragments and later give them a second life in collage. These two new 11×14” collages, together with a piece completed a few years ago, now complete this group of three works. Combining photographic fragments and pigmented beeswax monotypes, they bring together layers of imagery that have evolved over time. The last image in the carousel shows the piece that started it all, photographed in its frame and displayed on a table easel. 📌All available through my studio.
2 months ago
View on Instagram |
9/9

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